Rereading My Childhood – Goosebumps: The Curse of the Mummy’s Tomb

Previously On Rereading My Childhood – Goosebumps: Monster Blood

Listen to this on The Podcast!

When I was eight, during the summer between third and fourth grade, my parents took my sister and me halfway around the world to the Philippines. The trip was my first venture outside the United States, my first plane ride, and my first time in a country that spoke a completely different language. It wasn’t a random trip to a random country – my mother is Filipina, and we had (and still have) extensive family out there. I spent most of my time running around, exploring the countryside where my family lived on the slope of the Mayon Volcano. My favorite haunt was a dilapidated church and the adjacent graveyard. I was obsessed with the cracked gravestones and the icon of Mary with the faded paint and a chipped hand. Unlike Gabe in Goosebumps: The Curse of the Mummy’s Tomb, I never came face to face with a supernatural creature, but I like to think I had an adventure, albeit a safe one.

R. L. Stine’s Goosebumps: The Curse of the Mummy’s Tomb was an absolute delight to read. This is what I came to Goosebumps for: kids my age (or slightly older) overcoming scary situations with a little dash of humor. While on a trip to his ancestral home of Egypt, our protagonist, Gabe, explores the Great Pyramid of Giza. Gabe is a sweet kid and his uncle, scientist Ben Hassan, is a likable adult who helps his nephew. Gabe’s adversary is his cousin, and Ben’s daughter, Sari, who is charming in her own way. I’m looking forward to exploring this book – this reminder of why I loved these books so much as a kid.

SPOILERS AFTER THE COVER!!!

My copy of Goosebumps: The Curse of the Mummy’s Tomb – What will wake the dead? Anything! I have that mummy wrapped around my little finger! I’ll let myself out.

The book starts at the Great Pyramid and a thirsty child. Gabe asks his parents for water.

“We can’t give you a drink now,” she answered, staring at the pyramid. “Stop acting like you’re four. You’re twelve, remember?”

“Twelve-year-olds get thirsty, too,” I muttered. “All this sand in the air, it’s making me gag.”

“Look at the pyramid,” she said, sounding a little irritated. “That’s why we came here. We didn’t come here to get a drink.”

Hey, Mom, you can drink and look at pyramids at the same time. The end of the first chapter surprised me. Instead of a danger that is revealed to not be a danger at all, we have an ominous passage:

“I’m afraid you’ll just have to appreciate the pyramid from the outside,” Dad said, peering over the yellow sand, trying to focus the binoculars.

“I’ve already appreciated it,” I told him glumly. “Can we get a drink now?”

Little did I know that in a few days, Mom and Dad would be gone, and I would be deep inside the pyramid we were staring at. Not just inside it, but trapped inside it, sealed inside it – probably forever.

I’m in. I’m interested. I want to know where the story is going, and I’m happy the first chapter’s cliffhanger wasn’t some fake out.

Gabe’s dismissive parents are quickly ushered away from the book and our protagonist is left with his Uncle Ben Hassan, an Egyptologist with a daughter, Sari. Gabe has an adversarial relationship with Sari. She treats him like a child despite their identical ages. She has a strained relationship with her cousin, but she has a great relationship with her father – one that sometimes forces Gabe to look at them through an invisible barrier. The father and daughter have inside jokes and play pranks on Gabe. He gets frustrated with them, but, as a reader, I never felt the jokes were too malicious, and I have the notion that Uncle Ben has played these pranks on his daughter and that the source of their inside jokes. He’s trying to pull his nephew into a relationship the only way he knows how – jokes.

Uncle Ben has discovered a new burial chamber in the Great Pyramid and he invites his nephew on a tour. This is where we have our classic horror warning.

Uncle Ben handed us both flashlights. “Clip them into your jeans as we go in,” he instructed. He gazed at me. “You don’t believe in curses, do you? You know – the ancient Egyptian kind.”

I didn’t know how to reply, so I shook my head.

“Good,” Uncle Ben replied, grinning. “Because one of my workers claims we’ve violated an ancient decree by entering this new tunnel, and that we’ve activated some curse.”

This is classic horror. The characters were warned. The strange old man told the teenager to avoid Camp Blood. The fortune teller told the young jock not to enter the abandoned funhouse. The cheerleader read the stories about the escaped convict who targets babysitters. They were warned, but they continued deeper into the pyramid.

Uncle Ben goes down a rope ladder first, followed by Gabe, who falls off. Sari catches him. She teases Gabe, but she would never let him get hurt.

They reach the bottom of the pyramid and Uncle Ben introduces us to his excavation team – Ahmed, a taciturn man who is obsessed with the curse, Quasimodo, which is a nickname, and Christy. It’s nice to see a woman among the archaeologists. Thank you for the representation, Stine.

Uncle Ben forbids the children from exploring on their own, but the kids do it anyway in typical kid fashion. Sari gets ahead of Gabe and he gets lost trying to find her. He stumbles on a “mummy case.”

Uttering another low cry, I took a step back.

The lid raised up another inch.

I took another step back.

And dropped the flashlight.

I picked it up with a trembling hand and shined it back into the mummy case.

The lid was now open nearly a foot.

I sucked in a deep breath of air and held it.

I wanted to run, but my fear was freezing me in place.

The lid creaked and opened another inch.

Another inch.

I lowered the flashlight to the opening, the light quivering with my hand.

From the dark depths of the ancient coffin, I saw two eyes staring out at me.

This is a fun, scary passage, even though the single sentence paragraphs make the passage look like a poem. The mummy is just Sari, but I wasn’t mad. I just thought, “Oh, that Sari, always with the pranks.”

Uncle Ben finds the children and admonishes them for running off. The next morning, Uncle Ben leaves the children behind at the hotel after two workers come down with a “mysterious illness.” Sari and Gabe get bored and decide to go to the museum. Gabe goes over the mummification process, complete with brain pulling and intestine yanking, much to Sari’s chagrin. We see that Sari is not impervious to everything around her. Her father is an Egyptologist and she has no problems spelunking in a stuffy pyramid, but she cannot listen to her cousin say things like, “The brain had to come out first. They had this special tool. It was like a long, skinny hook. They’d push it up the corpse’s nose until it reached the brain and then wiggled it back and forth, back and forth, until the brain became mush.” Sari is complicated. Just don’t talk about guts and she’s fine.

They see Ahmed in the museum and after a brief chase scene, Ahmed tells them that Uncle Ben sent him to get the children, so the children get into his car with him. They realize they aren’t heading back to the hotel – they’re being kidnapped! That’s terrifying! Fun fact! When I was a kid, someone tried to kidnap my sister and me, but that’s a story for another review.

The kids jump out of the car and run back to the hotel. Uncle Ben returns and they tell him about their experience with Ahmed. Uncle Ben believes them. He doesn’t imply that they didn’t understand what was happening, he doesn’t dismiss the children. He actually listens to them. Thank you, Stine, for having at least one adult actually listen to a child for once.

Uncle Ben wants to leave the children in the hotel, but Sari and Gabe convince him to take them with as he returns to the pyramid. He gives them beepers in case they get separated, and, of course, they get separated. If they didn’t get separated it would be the end of the story. The floor gives out from beneath Gabe and he falls on his beeper, breaking it, but he’s in an undiscovered section of the pyramid.

There were mummies leaning against the wall. Mummies lying on stone slabs, arms crossed over their chests. Mummies leaning at odd angles, crouched low or standing tall, their arms straight out in front of them like Frankenstein monsters.

…

I realized that I had made an incredible discovery here. By falling through the floor, I had found a hidden chamber, a chamber where mummies had been made. I had found all of the tools and all of the materials used to make mummies four thousand years ago.

That’s creepy – a room full of dead bodies. Sari catches up with Gabe, but Ahmed is close behind. He reveals that the chamber is the “sacred Preparation Chamber of the Priestess Khala” and Ahmed is trying to prevent anyone from trespassing in it. Then he reveals the true identities of the surrounding mummies.

“They were all violators of the Priestess’s chamber,” Ahmed revealed. The thin smile that formed on his face could only be described as a proud smile.

“You mean – they’re not from ancient Egypt?” Sari cried, raising her hands in horror to her face.

“A few of them,” Ahmed replied, still smiling that frightening, cold smile. “A few of them were ancient intruders. Some are quite recent. But they all have one thing in common. They all became victims of the curse. And they all were mummified alive!”

Then he points out the one he did himself! This dude is insane and scary as shit. Uncle Ben finds them and tries to reason with him “scientist to scientist.” Ben, boobala, the man threatened your assistants by showing them what it would be like to be boiled alive. He’s not a scientist. He’s a crazy man with a knife who is threatening your daughter.

Ahmed knocks Uncle Ben out and forces the scientist into a coffin with the children. There’s a little crying and suspense before Uncle Ben wakes up and reveals that every coffin has a trap lever. That’s a little deus ex machina – I wanted the children to figure out a way out for themselves and save their Uncle, or maybe the kids could have observed the trap lever during their trip to the museum. I guess the book can’t be perfect.

The kids and Uncle Ben escape and are forced into a final confrontation with Ahmed. Gabe pulls out a mummy hand that he keeps with him. (This isn’t a deus ex machina – it’s been mentioned.)

Maybe I thought the mummy hand would distract Ahmed.

Or interest him.

Or confuse him.

Or frighten him.

Maybe I was just stalling for time.

Or maybe I was unconsciously remembering the legend behind the hand that the kid at the garage sale had told me.

The legend of why it was called The Summoner.

How it was used to call up ancient souls and spirits.

Or maybe I wasn’t thinking anything at all.

But I spun around and, gripping it by its slender wrist, held the mummy hand up high.

And waited.

Ahmed stared at it.

But nothing happened.

I waited, standing there like the Statue of Liberty with the little hand raised high above my head.

It seemed as if I were standing like that for hours.

The thought of this kid holding up a mummy hand while everyone around him is just staring at him and shrugging is a hilarious. I laughed out loud. If there’s an episode of the television show based on this book, I hope that’s played with a comedic beat. (I just checked – there is no television adaptation of this book.)

But the mummy hand does something eventually – the mummies come to life and chase Ahmed out of the pyramid, allowing Uncle Ben, Sari, and Gabe to escape. Ahmed should have been run into the tar pit, but that might be too gruesome for a kid’s book, even if the book is a horror book.

It ends with the three of them sharing a moment, including a silly pun that will probably be an inside joke among them.

“We’re okay,” Uncle Ben said gratefully, throwing his arms around Sari and me. “We’re okay. We’re okay.”

“We can go now!” Sari cried happily, hugging her dad. Then she turned to me. “You saved our lives,” she said. She had to choke out the words. But she said them.

Then Uncle Ben turned his gaze on me and the object I still gripped tightly in front of me. “Thanks for the helping hand,” Uncle Ben said.

I see what you did there.

Goosebumps: The Curse of the Mummy’s Tomb was a delight. It was scary, funny, and I loved the dynamic between Gabe, his cousin, and his uncle. This is what Goosebumps is all about: a kid overcoming a scary situation with gumption and humor. I had an adventure to an ancestral homeland when I was a kid and, while it didn’t involve any mummies, I keep those treasured memories in a special part of my brain. Gabe’s experience was scary, but he became closer to his uncle and cousin, and now he has a great story to tell. And I enjoyed reading it.

Next time: The Baby-Sitters Club #11: Kristy and the Snobs

Next Time On Rereading My Childhood – Goosebumps: Stay Out of the Basement! 

For a list of every Baby-Sitters Club, Goosebumps, and Fear Street book review I’ve done, go to RereadingMyChildhood.com or follow RereadMyChildhd on Twitter. For more information about me, Amy A. Cowan, visit my website AmyACowan.com or follow my Twitter: amyacowan.

Advertisement

Rereading My Childhood – Fear Street: Bad Dreams

 

Listen to this on the Podcast!

I was apprehensive about doing Fear Street. I have fond memories of the series, and it was included in my attempt to buy back my childhood – scouring thrift stores for books. Long before I decided to write this essay series (“Rereading My Childhood” – in case you forgot), I read Fear Street: The Stepsister. I hated that book. When I say “hate,” I mean I wanted to throw that book into a fire. I loathed every character – the sister main character who is entirely too paranoid, the inconsiderate stepsister, the fake actual sister, the dismissive mother, and the worst character in teen genre fiction history – the misogynistic father who serves no purpose other than to say creepy comments to his step-daughter and harass the mother. He should have been the killer. He should have died. However, he was not. In fact, the “twist” wasn’t really a “twist” but something so obvious I called it on the third page, making it pointless and frustrating. After reading that book (and I won’t do a Rereading of it – the thought of spending my time writing about it makes me want to destroy my computer so I have an excuse not to do it), I wasn’t sure if I could read the rest of the Fear Street series. Are they unreadable to anyone over the age of thirteen?

I still read Bad Dreams and guess what?

I liked it! Like The Stepsister, this one also features a pair of sisters who don’t get along. Unlike The Stepsister, it doesn’t feature a gross stepfather and a dismissive mother. The mother in this book is a good character, and neither sister is outwardly evil. We see our protagonist’s flaws while speaking to her sister, and her sister exhibits some petty behavior. This one also has several twists, some better than others, but the biggest one is so insane I never saw it coming. It’s not a “deus ex machina,” so I wasn’t angry. Overall, this is a solid Fear Street book that centers on some great and flawed female characters.

SPOILERS AFTER THE COVER!!!

My Copy of Fear Street: Bad Dreams by R. L. Stine – First of all, one of these sisters is supposed to be homely, but I see two pretty girls. Secondly, what pair of teenage girls who hate each other have matching sleeping gowns? And lastly, what is up with their hands?

Fear Street: Bad Dreams starts with a prologue in which a nameless character is murdered by her sister in her gorgeous canopy bed. It’s a creepy scene. There’s something in the shadows of the room. It’s her sister! Her sister with a knife! Her sister kills her – like straight-up knifes her. R. L. Stine is not fucking around. At least, not at the beginning.

Now we’re in the first chapter. The chapters are similar to the ones in Goosebumps – short. It seems Stine’s affinity for short chapters didn’t end with Goosebumps. The short chapters are back and shorter than ever!

We meet the Travers sisters – Maggie and Andrea and they do not get along. Maggie believes that their mother holds Andrea to a lower standard than Maggie, despite their close ages, and Andrea is jealous of Maggie’s inherent advantages in the looks department. Maggie is described as an effervescent, red-haired gorgeous teen, while Andrea is listless and dull. However, Andrea is a snob and resents moving to a poorer neighborhood after their father died and their mother was unable to maintain their lifestyle.

They reach their new house on Fear Street and Maggie’s dog, Gus, runs out into traffic, and we have our first cliffhanger. The dog is fine, of course. Stine knows better than to kill off a dog at the beginning of the novel.

The family enters their new house, and in one of the rooms, the one designated to Maggie, is a gorgeous canopy bed.

“Say, Mags,” Andrea began. “Mags, you know how I’ve always wanted an old-fashioned bed like this one, right?” Andrea bit her lip.

Here came the question Maggie had silently predicted.

Sure enough, Andrea demanded, “Can I have it?”

Can I have it? – Andrea’s four favorite words.

Andrea stared at Maggie, pleading with her eyes. Maggie lowered hers to the bed.

What should I tell her? Maggie asked herself. What should I do?

Should I avoid a fight and give it to her?

What should I say?

If Maggie had known the horrors that awaited her in the old canopy bed, her answer might have been different.

But she had no way of knowing why the bed had been left behind.

Ooh, ominous, and a proper cliffhanger ending to a chapter. Mrs. Travers decides that since it came in Maggie’s room, and since Andrea choose the larger room, that Maggie should keep the bed. To which Andrea wails, “But that’s soooo unfair!” Mrs. Travers is completely fair, but I can imagine a girl who has been coddled her entire life thinking that she should get the canopy bed and the bigger room.

Maggie complains to her inconsequential boyfriend Justin about the house, saying it looks like The Addams Family house. (Don’t drag that house – it’s a museum. It says so in the theme song, and I would love to live in a museum.) I say “inconsequential” because he doesn’t do anything. He could be cut from the book and it would have no effect on the plot, and he’s the only dude. I wish Stine cut that sausage out so the book is a pure clambake, but we live in a world in which every story has to have at least one dude. At least he’s relegated to the “girlfriend” character like women in, oh, just about every movie ever. #progress #feminism

That night, Maggie has her first nightmare involving a blonde girl, and she wakes up screaming after a chapter break. Her mother suggests that she is overcome with stress, which is a reasonable reaction, no sarcasm at all. Stress does some crazy things to people, and nightmares are a common symptom.

The next morning, Justin comes over with sponges. How romantic. They make out, and we get a daytime scare.

When the kiss ended, they were both breathless.

Maggie’s heart was thudding in her chest. She gave Justin several quick kisses on the cheek.

Then she glanced past him to the bedroom doorway.

And she saw that they were not alone.

Someone stood in the shadows, staring at them.

The girl from the dream!

No, it’s just Andrea asking for a camera. Whomp-whomp trumpet noise. This makes Andrea seem like a voyeur, like she was going to say, “Don’t let me interrupt you – I like to watch.” That would be creepier than anything in this book.

Just two pages later, Justin can’t breathe! He’s in peril!

Oh, no. He’s just having a little goof at Maggie’s expense. End of Justin’s contribution to the book. Good riddance. Begone! Go back whence you came! A football or something.

Maggie and Andrea are on the swim team and are competing with two other girls, Dawn and Tiffany, for one of two spots on the 200IM. That’s a thing, right, Stine?

Maggie was breathing hard now, and every muscle ached.

But the thought of losing hurt a lot more.

She silently commanded herself: Faster! Faster!

She pushed harder, harder – as she came to the end of the breaststroke. But then she made a poor turn at the wall.

I’ve blown it! She thought.

She had never lost a really big race before.

Could she still win? It was now or never.

Freestyle was her strongest stroke. But she had only two laps to catch up.

She felt as if she was skimming over the water. The shrill cheers and screams in the gym reached an ever higher pitch. Nearing the far wall, Maggie passed Andrea – then Tiffany.

The passage wrapped me up in the excitement. This was actual suspense – not that boring white boy feigning peril. More like this, please.

Maggie comes in first, followed by Dawn and then Tiffany with Andrea bringing up the rear. After the race, Maggie sees Dawn floating facedown in the pool. Danger? No, of course not. She’s just practicing breathing control. Then the girls laugh until the end of the chapter, where Maggie has another nightmare.

Andrea wakes her up and Maggie blames the bed for her nightmares.

Andrea stood up. She ran her finger down one of the bedposts. “See? I told you-you should’ve let me have this bed. It’s bad luck. And it’s giving you nightmares.”

Maggie stared at her as if she hadn’t heard. “The bed . . .” she said. That was it! She reached out and grabbed her sister’s hand. “Andrea, you’re right! The girl in the dream, the girl in trouble? She was sleeping in this bed!”

“That’s spooky,” Andrea admitted. “And she got . . .”

She let the question trail off. Maggie finished it for her. “Stabbed,” she murmured softly. “With a knife. Over and over. Don’t you see? I knew it was too good to be true,” Maggie moaned unhappily.

“What was?”

“The owners just leaving this beautiful bed behind. There had to be something wrong with it.”

Andrea insists the stress is getting to Maggie. Hey, Maggie? There’s a simple way to prove the bed is causing nightmares: give the bed to Andrea and see if she gets the same dreams. This isn’t complicated. Yeah, maybe your sister gets a neat canopy bed, but she might also get nightmares where nothing happens. You pass on the nightmares or you realize it’s stress and can deal with it – either way no more nightmares.

Maggie doesn’t do that. Instead, she implies that Andrea wants Maggie to be less stressed so Andrea can swim in the 200IM. They fight after Maggie’s shitty inference. Up until this exchange, Maggie has been tolerant of Andrea’s pettiness, but in this chapter, we get to see that Maggie isn’t completely innocent. Andrea was showing genuine interest in Maggie’s well-being, but Maggie had to throw in some backhanded comment. Andrea can act immature, but Maggie doesn’t act like an adult either.

The next day, Dawn falls down some stairs and breaks her arm. She thinks Maggie pushed her like Nomi in Showgirls. Maggie goes home and falls asleep on the couch. Then she goes outside and falls asleep there. She wakes up and some weird old man is staring at her.

His name is Milton Avery, and in true deus ex machina form, he and his wife tell them about the murder that happened in the house.

Mr. Avery continued. “There was a girl about your age – named Miranda. Pretty girl with blond hair.”

Miranda!

Maggie knew instantly that Miranda had to be the blond girl in her dream!

“Did Miranda live in my house?” Maggie asked eagerly.

“She and her family lived in your house, yes,” answered Mr. Avery.

“Milton, that’s enough,” Mrs. Avery spoke up.

“No, please tell me,” Maggie pleaded.

“She was killed,” the old woman blurted out. “Murdered.”

“She was stabbed,” Mr. Avery said in a hushed whisper. “Stabbed right in her own bed.”

Yeah, that was pretty obvious from the prologue, but thanks, Old Man Avery, for peeping at seventeen-year-olds, I guess. He’s probably banned from the local mall.

Maggie dreams more and mistakes common household items (a curling iron) for various murdering paraphernalia (a knife). Her mother sends her to a therapist after Maggie yells, “I’ll never calm down!” That’s a totally normal thing to say there, Mags. That’ll work.

During swim practice, Tiffany wins the 200IM. Coach pulls Maggie aside and encourages her to work things out internally, within herself, and externally, with her sister. Maggie leaves Coach’s office and finds Tiffany covered in blood. Tiffany was stabbed! But she doesn’t die so that makes the current death count for this book just one unfortunate sister during the prologue. I understand not killing off Dawn – it’s an early incident in the book and Dawn is Maggie’s best friend. Tiffany, however, is a completely expendable character who we never see again.

The novel culminates in an attic showdown, but it starts during a barbeque with the teen peepers.

I’m tired enough to go to sleep right now, Maggie decided.

I have to get to the end of the dream. I have to put this nightmare behind me.

“I’m going to get some more soda,” she lied, getting up from the table.

Everyone was staring at her. Her mom started to her feet with a worried look.

“I’m just going to the refrigerator, Mom,” Maggie said. “Chill out.”

She smiled at everyone, but she smiled too hard – which only made her feel like a lunatic.

I can imagine this unhinged, wide smiling. It’s unnerving. Maggie goes upstairs to sleep (how she planned to deal with her mother when she didn’t come back after getting a soda, I have no idea), but the canopy bed is, just like, gone. That night, Maggie finds the bed in the attic with a person asleep in the bed.

“But who are you?” Maggie demanded.

“Gena,” the girl replied. “Wasn’t I in the dream?”

“I-I don’t know,” Maggie told her. She edged toward the attic stairs.

“I’m Miranda’s sister,” the girl said angrily. “Why wasn’t I in the dream?”

After Gena murdered her sister Miranda, she lived in the attic! This bitch lived in the attic Hugo from The Simpsons style, listening to everything happening in the house. She was appearing in corners. She was stealing knives. She pushed Dawn down the stairs. She stabbed Tiffany. Why?

“But I’m doing it for you, Andrea,” Gena replied, sounding hurt. “She’s mean to you. She’s mean – like Miranda.”

“For me?” Andrea cried. “What did you do for me?”

“I did everything for you,” Gena replied softly.

…

“I did everything for you, Andrea,” Gena continued, ignoring Maggie’s terrified cries. “I hurt those two girls for you. So you could be on the swim team.”

“You what?” Andrea shrieked.

‘Oh, no,” Maggie gasped. “She’s the one who hurt Dawn and Tiffany. I don’t believe it.”

“And I pushed the knife into your sister’s pillow, Andrea,” Gena confessed proudly. “You know. To give her a little scare. To get her ready for tonight.”

“But I don’t want you to kill her!” Andrea wailed. “Who are you? What is going on? How did you get into our house?”

“Shut up, Andrea,” Gena said softly.

She lowered her gaze to Maggie. “It’s time for mean sisters to die.”

Andrea is forced to save her sister and together they defeat Gena, tying her up and, I’m assuming, handing her over to the local law enforcement. (Does Shadybrook have a police force? They must be busy with all the disproportionate murdering and attempted murdering.) Miranda and Gena are a reflection of Andrea and Maggie. By actually confronting what their relationship could be, they are able to overcome their issues and become better sisters.

Admittedly, the twist came out of nowhere. I conjecture that the prologue was added later, but the addition rendered the teen-peepers-exposition-Averys useless.

The Averys could be cut. The boyfriend is extraneous. Tiffany should have been killed to show how close the danger is to Maggie. Despite this, I still had a great time reading it. I think my opinion is a bit skewed. The last Fear Street I read (The Stepsister) made me livid. Frankly, I was happy with the flawed female characters, and I was even happier there wasn’t a terrible, misogynistic, creepy male character. I was happy with the twist that came out of nowhere, but at least I didn’t predict it on page three. If the rest of the Fear Street books are at least as good as Bad Dreams, we’re in for a glowing series of reviews. I don’t think that will happen, but at least I’m committed, and if I hate the book, you’ll read all about it.

We’re going back to Stoneybrook next week, but the next book in the series isn’t a normal one. I’m reading The Baby-Sitters Club Notebook next time, and that should be a quick one!

Next Time On Rereading My Childhood – Fear Street: Who Killed the Homecoming Queen?

For a list of every Baby-Sitters Club, Goosebumps, and Fear Street book review I have written, go to RereadingMyChildhood.com. To listen to the official podcast, just visit the website or search for “Rereading My Childhood” in your favorite podcatcher. For more information about me, Amy A. Cowan, visit my website AmyACowan.com or follow my Twitter: amyacowan.