Rereading My Childhood – Goosebumps: Night of the Living Dummy

Previously On Rereading My Childhood – Goosebumps: Stay Out of the Basement!

Cultural osmosis is an interesting thing. I have this library of pop culture I can draw from and understand references to even though I haven’t interacted directly with that specific piece of pop culture. I have never seen Die Hard but if someone references Carl Winslow shooting a kid, I understand both of the references. (I have, however, seen every episode of Family Matters – even the bullshit ones that were on CBS. You know, the ones where Steve Urkel goes into space and then comes back to marry Laura – the girl he has been harassing for most of their lives.)

And that was the thing about Night of the Living Dummy – as I was reading it, I knew that Slappy has become the main antagonist in subsequent Dummy books. I spent the whole book noticing that 1) it’s more like nights of the living dummy and 2) Slappy is just as much a threat, if not more so than Mr. Wood. It’s time for a classic Goosebumps tale about twins, dummies, and competition.

SPOILERS AFTER THE COVER!!!

GBNightoftheLivingDummy
It’s more like “nights” of the living dummy than one night.

Kris and Lindy are twins who seem to hate each other. One has short hair, one has a side ponytail. Other than that, they look identical. Even though they look similar, they are still two different people, but their parents also treat them as identical people. They are expected to play together and, as we later see, their parents don’t make an effort to have them distinguish themselves from the other or actively encourage them to partake in identical activities.

Their mother forces both of them to go outside and play, taking Lindy away from the book she was reading. Was it only our generation had parents that actively didn’t want us reading books? My father was different, though. He was a bookworm and I spent most of my childhood reading books and taking weekly trips to the library while other kids had parents who told them to go outside and play sports or whatever. I saw a study that said that Baby Boomers didn’t read as much as Millennials, so it makes sense that they would chastise us for reading too much. One time when I was a kid and I tried to check out a stack of books from the library and my father said that the library only allowed people to check out three at a time. I don’t think he was trying to curb my reading; I was a kid who walked up the counter with fifteen books and my father didn’t think that I could read all of them or keep track of them to return them to the library.

The girls don’t go to the library after they are kicked out. Instead, they go to the house that is under construction next door. In the dumpster, they find a dummy.

Lindy held the dummy up and examined his back, looking for the string to pull to make his mouth move. “I am a real kid!” Lindy made him say. She was speaking in a high-pitched voice through gritted teeth, trying not to move her lips.

“Dumb,” Kris said, rolling her eyes.

“I am not dumb. You’re dumb!” Lindy made the dummy say in a high, squeaky voice. When she pulled the string in his back, the wooden lips moved up and down, clicking as they moved. She moved her hand up his back and found the control to make his painted eyes shift from side to side.

“He’s probably filled with bugs,” Kris said, making a disgusted voice. “Throw him back, Lindy.”

“No way,” Lindy inisted, rubbing her hand tenderly over the dummy’s wooden hair. “I’m keeping him.”

“She’s keeping me,” she made the dummy say.

“But what are you going to do with this dummy?” Kris demanded.

“I don’t know. Maybe I’ll work up an act,” Lindy said thoughtfully, shifting Slappy [the dummy] to her other arm. “I’ll bet I could earn some money with him. You know. Appear at kids’ birthday parties. Put on shows.”

“Happy birthday!” she made Slappy declare. “Hand over some money!”

Kris didn’t laugh.

Tough crowd. I thought it was pretty funny.

Now we’re back to the cultural osmosis issue. I know that Slappy is the antagonist of the other dummy books and I know that he’s evil. I spent this whole novel wondering when Slappy was going to go all murder dummy. This book threw me for a loop with the introduction of another dummy.

After Lindy announces she was hired to do a ventriloquist act at a birthday party, Kris asks for her own dummy. Her parents come up with a ridiculous suggestion.

“Why don’t you both share Slappy?” Mrs. Powell suggested.

“Huh?” Lindy’s mouth dropped open in protest.

“You two always share everything,” Mrs. Powell continued. “So why don’t you share Slappy.”

“But, Mom-” Lindy whined unhappily.

“Excellent idea,” Mr. Powell interrupted. He motioned to Kris. “Try it out. After you share him for a while, I’m sure one of you will lose interest in him. Maybe even both of you.”

Kris climbed to her feet and walked over to Lindy. She reached out for the dummy. “I don’t mind sharing,” she said quietly, searching her sister’s eyes for approval of the idea. “Can I hold him for just a second?”

Lindy held onto Slappy tightly.

Suddenly the dummy’s head tilted back and his mouth opened wide. “Beat it, Kris!” he snarled in a harsh raspy voice. “Get lost, you stupid moron!”

Before Kris could back away, Slappy’s wooden hand shot up, and he slapped her hard across the face.

First of all, wow, Slappy’s outburst was harsher than I expected in this child’s chapter book.

Now the biggest issue: HEY, PARENTS, IT’S LINDY’S DUMMY AND IF SHE DOESN’T WANT TO SHARE IT, SHE SHOULDN’T BE FORCED TO SHARE THE DAMN DOLL!!! Lindy is the one who embraced the dummy. Kris thought it was disgusting and creepy. Now Lindy is excelling in her weird, creepy hobby and she should be encouraged – not forced to share. And Kris saying she doesn’t mind sharing is infuriating. It’s like standing by a vending machine, waiting for someone to buy a drink, and then saying, “I don’t mind sharing.” No, it’s not yours to share. And her parents justifying it by remarking, “You two always share everything.” This might be the root of the problems between the girls and it brings me back to an issue I brought up earlier. They aren’t able to cultivate a personality apart from each other.

Lastly, her father’s conjecture that one will lose interest isn’t a good metric for parenting.

We also learn there is going to be a school chorus, featuring Russain songs?

“Yeah. We’re doing all these Russian and Yugoslavian songs,” Kris said. “They’re so sad. They’re all about sheep or something. We don’t really know what they’re about. There’s no translation.”

What the fuck kind of school does Russan sheep dirges for the school chorus? The songs we sang during school recitals were nondenominational holiday songs and “Home Means Nevada.”

Anyway, despite all the rigamarole about sharing Slappy, Mr. Powell goes out to buy a second dummy at a pawn shop to give to Kris. She names him Mr. Wood, which is a way worse name than Slappy. Pretty soon, we get a dose of her stand up with her friend Cody.

Kris turned Mr. Wood to face her. “How are you today?” she asked him.

“Pretty good. Knock [on] wood,” she made the dummy say.

She waited for Cody to laugh, but he didn’t. “Was that funny?” she asked.

“Kinda,” he replied without enthusiasm. “Keep going.”

“Okay.” Kris lowered her head so that she was face-to-face with her dummy. “Mr. Wood,” she said, “why are you standing in front of the mirror with your eyes closed?”

“Well,” answered the dummy in a high-pitched, squeaky voice. “I wanted to see what I look like when I’m asleep!”

It’s as funny as any ventriloquist act I’ve seen, and I’d rather watch an hour of this than a minute of Jeff Dunham. Still, Kris knows that Lindy is doing better than her.

Kris keeps finding Mr. Wood in weird positions, like wearing her clothes at one point and mid-choke of Slappy. Eventually, he calls Kris a jerk and is later found in the middle of the kitchen with the contents of the refrigerator strewn about with Kris’s jewelry in the food. Kris insists the dummy did it and Mrs. Powell threatens to take away the dummies if anything else goes wrong. Kris throws Mr. Wood into the closet, then she hears a voice, leading to this exchange:

“I wanted to see if I could scare you,” Lindy explained. “It was just a joke. You know. I can’t believe you fell for that voice in the closet just now! I must be a really good ventriloquist!”

“But, Lindy-“

“You really believed Mr. Wood was alive or something!” Lindy said, laughing, enjoying her victory. “You’re such a nit!”

Lindy did all these pranks after Kris got a dummy also and she did it “as a joke.” Everyone is Stine’s novels are always trying to play pranks on one another, like in Who Killed the Homecoming Queen?What kind of weird pranks were going on in his childhood and why are they always so mean? Kids don’t still do pranks like this, do they?

Kris finds a piece of paper with some weird words on it and, like a dummy (a different kind of dummy), she reads the words aloud. Then the dummy spews green bile at the student body during an assembly.

This whole time I thought Slappy and Mr. Wood are switched because I knew that Slappy is the focus of future Night of the Living Dummy novels, including a whole series called SlappyWorld (we’ll see if I ever get that far). However, Mr. Wood gets up and starts actually attacking the girls. He wants them for “slaves.” The girls try to bury him, but the next morning he’s in the kitchen, saying they’re his slaves and he attacks their dog.

Mr. Wood meets his end when a steamroller runs over his head, a green gas cloud erupting from beneath the vehicle. The girls have become closer and they enter their room together.

They entered their bedroom to find the window wide open, the curtains slapping wildly, rain pouring in. “Oh no!” Kris hurried across the room to shut the window.

As she leaned over the chair to grab the window frame, Slappy reached up and grabbed her arm.

“Hey, slave – is that other guy gone?” the dummy asked in a throaty growl. “I thought he’d never leave!”

I spent the whole book wondering when Slappy was going to reveal that he switched places with Mr. Wood and he was the truly evil one. This ending was fun but I do wonder if Slappy was even meant to continue the Dummy legacy, akin to the final scare of Friday the 13th. Jason wasn’t meant to continue onto to star in ten movies (he wasn’t the killer of Friday the 13th Part V: A New Beginning so that one doesn’t count (also, fuck a spoiler warning for that one – it’s the worst one and should be skipped (the best one is Friday the 13th Part VI: Jason Lives – it just is))), a television show, a couple video games, some neat cameos, novels I might read in the future, dolls, board games, and countless other things I have yet to own.

R. L. Stine tends to always use these endings that imply that while the characters have learned something, their problems are never really over, like Stay Out of the Basement! (which I covered). Stine may not have intended Slappy to have more books, but he did and I read this book through that lens. Maybe because I knew about Slappy and I expected the book to go a certain way, I was open to being surprised after Lindy says she did all those “pranks” or, more appropriately, “therapist fodder.”

This was a fun book but I wish I could have read this without any knowledge of Slappy. There’s no way I can take away the knowledge I have about these books. And, honestly, this is a series about looking back – we cannot judge these books without the knowledge we have, no matter how hard we try to maintain cultural relativism and ignorance. However, I don’t think it’s such a bad thing or hurts the integrity of the review. This is something we all have to contend with as we interact with popular culture, especially when we’re interactive with popular culture intended for children through the eyes of an adult.

Next Time On Rereading My Childhood – Goosebumps: Legend of the Lost Legend

For a list of every Baby-Sitters Club, Goosebumps, and Fear Street book review I’ve done, go to RereadingMyChildhood.com or follow RereadMyChildhd on Twitter. For more information about me, Amy A. Cowan, visit my website AmyACowan.com or follow my Twitter: amyacowan.

Rereading My Childhood – Fear Street Sagas #1: A New Fear

Previously On Rereading My Childhood – Fear Street: Who Killed the Homecoming Queen?

The original Fear Street novels were too tame for my sixth-grade self. I craved more blood, more mayhem, more murder. Something shocking. Something that pushes what can be done in YA fiction. Something with more petticoats.

I preferred the spin-off series Fear Street Sagas to the original Fear Street and served as historical fiction. These books went into Shadyside’s tumultuous past, and the infamous Fier (later spelled Fear) Family, starting with Fear Street Sagas #1: A New Fear.

Technically, this isn’t the beginning. There is a trilogy that comes before these, but I’m not reviewing those today. Instead, I’m starting where the trilogy ends, with the newly widowed Nora Goode trapped in an insane asylum, where all good horror starts.

SPOILERS AFTER THE COVER!!!

Fear Street Sagas #1: A New Fear
If that haircut doesn’t warn her to stay away from Creepy Eyes Brown Suit other there, then I guess nothing will keep her away.

Nora Goode married Daniel Fear and the whole family, save Nora, died in a tragic fire. (These names are not subtle.) Nora claims that the fire itself was malicious. For some 1900’s reason, that’s enough to send a pregnant woman to an insane asylum. Back then, they threw women in asylums for being too mouthy, so this is absolutely believable.

What’s unbelievable is that the asylum thinks that giving an infant to a 12-year-old, who is also a patient, is an acceptable practice, but that’s what they do while they keep trying to convince Nora that the face she saw in the flames was a hallucination. She tries to escape by making a rope out of her hair, but she is caught and they cut off her hair.

Eventually, the asylum plans to take her child, Nicholas, away from her and give him to a family that “has agreed to pay [the doctor] a large sum for a male child.” Nora resists, fighting orderlies that try to pull her away from her son’s cradle. Just as the doctor takes Nicholas from the cradle, the amulet that Nora received as a wedding gift from Daniel glows.

The fire crackled and blazed. The flames grew higher and higher. They reached past the hearth. They climed the wall. The flames lapped greedily at the ceiling. They grew higher until all Nora could see was a wall of fire.

A man emerged fromthe writing flames.

“Daniel,” Nora gasped.

Her husband had come back from the grave.

“Come and join me, Doctor,” Daniel rasped. He reached past Nora and drew the doctor into the raging inferno.

Screaming, the doctor fell to his knees. His eyes bulged. Bulged out farther and farther. Then, with a moist pop, his eyes flew from their sockets and rolled across the floor. They hissed as flames devoured them.

There’s the bloodlust I craved in middle school! That was what the regular Fear Street books were missing: ridiculous body horror and talking fire ghosts.

Nora escapes with Nicholas as the asylum burns down. They stow away on a boat, where Nora eats a rat to survive. That’s a fun scene. She is discovered and the crew thinks she is a witch. Then the boat sinks. They are adrift at sea, but eventually wash up onshore. Somehow, she still possesses the amulet.

She turned it over and read the inscription: DOMINATIO PER MALUM.

“Power through evil,” Nora whispered. “Your father gave this to me as a symbol of his love, Nicholas. The amulet was special to him, because it had been in his family for a long time.”

Nora sighed. “Your father’s family had power and money. But they paid a heavy price. They let evil into their lives, and it destroyed them.”

Nora stared down into the ocea for a long moment. “I do not want that evil to be a part of your life, Nicholas. I do not want you to suffer the same fate your father did.

The amulet felt heavy in her hand. Heavy and warm.

Nora brought her arm backand flung it into the calm sea.

Relief swept through her her. She hugged Nicholas. “Now the Fear evil cannot touch you.”

Nora stared down into her baby’s face. “We are going to start a new life – with new names. From now on, we will be known as Nora and Nicholas Storm.”

And that’s how the book ends.

I’m just kidding. That’s just the end of part one. We get a huge time jump – eighteen years. Nicholas Storm is a fisherman who hates fish. He is also a fisherman who loves a woman named Rosalyn. However, they can’t get married because Nicholas isn’t worth enough money for Rosalyn’s strict father. Also, his mother, our original protagonist, Nora, dies as she was telling him about his father, her last words being, “Your father left you a legacy of…”

So Nicholas goes off to find his legacy so he can someday marry Rosalyn. He leaves Shadow Cove, where he was living, and what do ya’ know, he ends up in Shadyside after a man who looks a little like him yells, “Shadyside!” and disappears. Because that’s how you choose where you want to figure out your life. You wait for a ghost that vaguely looks like you to shout a location and then you buy your ticket. Also, Rosalyn gives him her good luck charm – an amulet she found on the beach, one with some Latin on the back. It’s the amulet her mother threw into the ocean if you haven’t figured that one out.

In Shadyside, he finds Fear Street and thinks about its “strange name.” He stumbles across a huge, dilapidated, burned house. The house “whispers” to him so he decides to enter the house. A woman yells at him, “Daniel Fear! You’re supposed to be dead!” And then she attacks him with a knife.

Instead of running away and giving up this stupid quest, like any other human, he sticks around and asks her questions about the people who used to live there. She starts to cry and says that he ran off with his wife, Nora Goode. That’s enough for him to figure out that his mother changed her name to Nora Storm and his father is Daniel Fear.

Lightning lashed. “I know who I am at last!” Nicholas cried over the booming thunder. “I am Daniel Fear’s son.”

He clenched his fists. “I am Nora Goode’s son!”

He threw his head back.

“I am a Fear!” he shouted. “Nicholas Fear!”

That’s what normal people do – they run into the rain and punch dance their name.

But Nicholas can’t move into the house. He rents a room from a woman and her daughter – a forward girl named Betsy Winter. The next day, he goes to a man, Mr. Manning, to talk about the inheritance he believes he is owed. The man laughs and tells him that there is no inheritance – just a bunch of back taxes on the land. But Mr. Manning owns a sawmill and hires Nicholas so he can get back on his feet. As he is leaving, an out-of-control woman runs into him while on a bicycle. She is Ruth Manning, Mr. Manning’s daughter.

At the sawmill, Nicholas meets his new co-workers – a fussy little man named Jason and a friendly hulking man named Ike. Both Ruth and Betsy show up at different times while they’re working to establish their overt feelings for Nicholas, and so Jason can get jealous over Ruth and be overly protective of Betsy. He is our red herring, after all.

Someone throws a rock at the back of Nicholas’s head with a note that he doesn’t belong in Shadyside. It’s hilarious. Who throws rocks like that? And to hit Nicholas without killing him, the thrower would have to be the weakest person and only a few feet away, which makes me wonder why Nicholas didn’t see who threw the rock. That or Nicholas has a very hard head.

While fixing up his wound, Betsy reveals that she is a Goode, but she doesn’t hate the Fears. This comes up later.

At the sawmill, Ike gets his fingers sliced off, Ruth expresses more interest in Nicholas, but he doesn’t return her affections, and Betsy also expresses more interest in Nicholas.

Later, Nicholas comes home and finds Betsy dead in the kitchen, tied up next to the stove.

He noticed something thick and white pushing its way out of her mouth. Nicholas dropped her wrist. He parted her lips and teeth.

The gooey white substance billowed out of her mouth.

Dough.

Nicholas checked her nose. Thick white dough filled it, too.

Someone had stuffed Betsy’s nose and mouth with dough. And left her by the stove with her hands tied behind her back.

As the dough rose, she suffocated.

This is how serial killers on The Great British Bake-Off kill people.

At the funeral, Jason says that they should be burying Nicholas, not his cousin. Jason warned Betsy not to get close to Nicholas and he believes that Nicholas killed Betsy. Jason threw the rock at Nicholas, and, since Betsy is a Goode, that makes Jason a Goode also.

Mr. Manning is also found dead. Ruth says that her father wanted her to marry Nicholas if anything happened to him, so he reluctantly agrees to marry her, just to help her during her grieving. He figures out that since Jason is a Goode, thinks he killed Betsy, and Mr. Manning liked Nicholas, Jason must have killed Mr. Manning.

It gets violent when he goes to confront Jason, but Ruth appears and stabs Jason in the throat. She reveals that if Nicholas doesn’t marry her, then she will tell everyone that Nicholas killed Jason, and no one would believe a stranger and Fear over the daughter of a beloved local businessman. Ruth also reveals that she killed Betsy to get her out of the way and killed her father to force Nicholas to marry her.

He gets married to her but plans to poison her after the wedding. However, Rosalyn (remember her?) shows up at his house and sees Ruth wearing the amulet that Rosalyn gave Nicholas. Ruth poisons Rosalyn with the poisoned drink that Nicholas was going to give to Ruth. It ends with Nicholas resigned to being with Ruth.

“Together, we shall make Fear Street all it was meant to be,” Ruth vowed. She ran her fingers over the words engraved on the back of the amulet. POWER THROUGH EVIL.

Nicholas gazed over at the remains of the Fear mansion. Yes, he thought. Soon everyone will know the name of Fear Street.

See that, kids? If you’re evil, you can make your dreams come true!

This is a fun book, even if it is ridiculous. It’s a promising start to a seminal series in my life. It even has a perfect horror movie ending, opening up the path for many, many sequels. The nonsensical plot and deus ex machina plot devices may make some roll their eyes, but I can’t help but love the melodrama, the reveals on reveals, and, most of all, the outrageous character deaths.

Next Time On Rereading My Childhood – Fear Street Super Chiller: Broken Hearts

For a list of every Baby-Sitters Club, Goosebumps, and Fear Street book review I’ve done, go to RereadingMyChildhood.com or follow RereadMyChildhd on Twitter. For more information about me, Amy A. Cowan, visit my website AmyACowan.com or follow my Twitter: amyacowan.

Rereading My Childhood – Goosebumps: Stay Out of the Basement!

Previously On Rereading My Childhood – Goosebumps: The Curse of the Mummy’s Tomb

My parents are not anti-vaxxers because they’re responsible parents. My sister and I are current with all our shots, no matter how hard it was to get us to sit down and actually take the damn shot. We used to cry and cling to our parents and engage in futile begging, but our tenacious parents still forced us to receive our shots. After it was all done, the pain a distant memory, we got a prize from the hospital.

That’s where I saw it – a green hand wrapped around a door. Leaves and vines grew around the hand as if something escaped the confines of the basement and was now poised to take over the upstairs. Goosebumps: Stay Out of the Basement by R. L. Stine sat on the highest shelf, most of which featured boys with dogs or girls with dolls. Maybe one or two with arm-crossed children rolling their eyes as their apron-clad mother held a rolling pin and chastised them. The hand stood out. The hand grabbed my attention. The hand scared me, but I needed to know what was happening.

Rereading this as an adult, I’m happy this one was my first Goosebumps book. My copy has the new cover that fails to live up to the original, but I’m still happy I own this scary book that holds up as fine children’s horror.

SPOILERS AFTER THE COVER!!!

GBStayOutoftheBasement
I realize this is the new cover, but Goodwill only has so many old covers.

Casey and Margaret Brewer are tired of their father’s excuses. They want to play Frisbee with him, but he’s always busy. And he’s been working every day since he moved his family out to California, a place that Margaret doesn’t like because it’s “the middle of winter; and there isn’t a cloud in the sky, and Casey and I are out in jeans and T-shirts as if it were the middle of summer.” Oh no, how terrible it must be to have temperate weather in the second-best state in the union. (First is Nevada – don’t @ me.)

Margaret thinks that Mr. Martinez, their father’s boss, fired their father for some experiments that went “wrong.” She gets curious and encourages Casey to come with her to find out what their father is doing deep in the basement. When they halfway down the basement stairs, their father appears.

He glared up at them angrily, his skin strangely green under the flourescent light fixture. He was holding his right hand, drops of red blood falling onto his white lab coat.

Stay out of the basement!” he bellowed, in a voice they’d never heard before.

Both kids shrank back, surprised to hear their father scream like that. He was usually so mild and soft-spoken.

Stay out of the basement,” he repeated, holding his bleeding hand. “Don’t ever come down here – I’m warning you.”

I think the kids just slink away because the next chapter starts with Mrs. Brewer leaving to help care for her sister for a few days. She says she’s no worried about the kids, but is worried about Mr. Brewer, particularly that he will become so engrossed in his work that he won’t eat. The man himself appears, his hand bandaged despite it being a few weeks after he yelled at them. He takes their mother to the airport as Margaret’s friend Diane arrives for some adult-free childhood banter.

Diane is also the one who dares Margaret to go into the basement, because what’s a Goosebumps book without some kids daring each other to do some stupid shit. I remember being a kid. We always dared each other to do stupid shit. It’s the most realistic thing in the series.

In the basement, they find a “rain forest.” It’s so hot and humid that Casey decides to take off his shirt and drop it on the floor, just like an actual kid. That’s when they notice a tall treelike plant actually breathing. Casey touches it and he goes into convulsions!

Of course, it’s just a prank. At least the fake out is at the end of chapter three when I’m already invested, instead of the first chapter. The children think the plants are moving and they decide to go back upstairs. They think that their father will never know they were down there, but Casey remembers that he left his t-shirt on the floor.

Casey goes back into the basement to retrieve his shirt, but their father comes home. Margaret is standing at the top of the stairs, urging her brother to return before their father walks through the door. He grabs his shirt but some tendrils grab him. It’s not a trick. Actual tendrils grab Casey. They wrestle free, but not before their father catches them.

They insist they didn’t touch anything and while their father is disappointed, he is not stark-raving mad. They ask their father about the weird plants, but he refuses to explain their bizarre appearance and behavior to them. The next morning, Margaret finds a lock installed on the basement door.

Dr. Brewer is working so hard to impress his boss, Mr. Martinez, and prove that the university was wrong to fire Dr. Brewer. However, Margaret clings to her idea that something is askew, especially since she sees his research as putting his career ahead of his children, something he hasn’t done before. Her suspicions are exacerbated when she sees him devour something from a bag “greedily” and stash it under the sink before returning to the basement.

When she was sure he had gone downstairs, Margaret walked eagerly into the kitchen. She had to know whather father had been eating so greedily, so hungrily.

She pulled open the sink cabinet, reached into the trash, and pulled out the crinkled-up bag.

Then she gasped aloud asher eyes ran over the label.

Her father, she saw, had been devouring plant food.

Oh, shit, Margaret! The call is coming from inside the house! Get out of there!

She tries to confide in Casey her findings, but, like every shitty man, he doesn’t take her concerns seriously. There are more frustrating scenes wherein others excuse Dr. Brewer’s neglect as something he’s doing for the sake of his career while dismissing Margaret. This whole book is like a metaphor for women’s struggles. A young woman is supposed to just accept a man’s egregious behavior for the sake of his own interests even to her detriment. I feel ya, Margaret. We cuz.

While Margaret is growing up with a distant father, Dr. Brewer is growing green hair. He is also skulking around the house and scaring his daughter and is sleeping in a bed that is covered in earthworms and wet, black clumps of dirt. Finally, he tries to feed his children a strange substance bearing a resemblance to dirt. This is the straw that breaks Casey’s back, so to speak. He is finally curious enough to investigate the basement with Margaret.

They get their opportunity when Dr. Brewer leaves. In the basement, they find a jacket belonging to Mr. Martinez. They come to the conclusion that plants may have eaten the big boss man (the character in the book, not the wrestler), but their father insists Mr. Martinez just got hot and left his jacket. A few days later, they also discover Mr. Martinez’s shoes and pants, hurting their father’s theory that he just got hot. You don’t just take off your pants in someone else’s house, even the house of your subordinate.

During another excursion into the basement (and after some heavy lock destruction), they peer deeper into the experimental jungle.

She took a deep breath and held it. Then, ignoring the moans, the signs, the green arms reaching out to her, the hideous green-tomato faces, she plunged through the plants to the back of the closet.

“Dad!” she cried.

Her father was lying on the floor, his hands and feet tied tightly with plant tendrils, his mouth gagged by a wide strip of elastic tape.

“It can’t be Dad!” Casey said, still holding her by the shoulders. “Dad is at the airport – remember?”

She reached downand tugged at the elastic tape until she managed to get it off.

“Kids – I’m so glad to see you,” Dr. Brewer said. “Quick! Untie me.”

“How did you get in here?” Casey demanded, standing above him, hands on his hips, staring down at him suspicisously. “We saw you leave for the airport.”

“That wasn’t me,” Dr. Brewer said. “I’ve been locked in here for days.”

“Huh?” Casey cried.

“But we saw you-” Margaret started.

“It wasn’t me. It’s a plant,” Dr. Brewer said. “It’s a plant copy of me.”

Holy shit! It’s a plant! Metaphorically and literally! The story continues with a classic, “I’m your real father! Shoot him!” “No, shoot him! He’s the impostor!” only with a little girl holding an ax, which is my new aesthetic.

Margaret figures out who her real father is when she stabs the father from the basement in the arm. He bleeds red blood, so she hands him the ax. Then her real father cleaves the impostor in two! Take it back. A father who was held captive by a sentient plant cutting his captor in twain with an ax from his daughter is my new aesthetic.

In the end, the Brewers destroy the plants and return the equipment to the university, but R. L. Stine isn’t finished.

It’s so peaceful now, [Margaret] thought happily.

So peaceful here. And so beautiful.

The smile faded from her face when she heard the whisper at her feet. “Margaret.”

She looked down to see a small yellow flower nudging her ankle.

“Margaret,” the flower whispered, “help me. Please – help me. I’m your father. Really! I’m your real father.”

Fucking perfect. This book was perfect.

I’m happy this was my first Goosebumps book. I’m happy this was the book I chose from all the other books on that bookshelf at the doctor’s office. Thank you to whoever put that book on that shelf. This book started my lifelong love of all things scary and creepy. I’m even happier that this book holds up. I like the punniness. I like Margaret. I like the mystery. Everything about this book is perfect.

Stay Out of the Basement was the second book of the Goosebumps series and, especially with Welcome to Dead House as the first, I can see why this series is revered in the Pantheon of Young Adult Fiction, exactly where it should be.

Next Time On Rereading My Childhood – Goosebumps: Night of the Living Dummy

For a list of every Baby-Sitters Club, Goosebumps, and Fear Street book review I’ve done, go to RereadingMyChildhood.com or follow RereadMyChildhd on Twitter. For more information about me, Amy A. Cowan, visit my website AmyACowan.com or follow my Twitter: amyacowan.

Rereading My Childhood: Fear Street: Who Killed the Homecoming Queen?

Previously On Rereading My Childhood – Fear Street: Bad Dreams

What the hell is homecoming? Who is coming home? Is there a home involved at all? If yes, which home? I went to an American high school. Did we even have homecoming dances? To be fair, the only dance I ever went to was my senior prom, which could be the subject of its own RMC (Rereading My Childhood), but I think I would have heard about some formal that seems to spring up at random times throughout the school year. Did my school even elect homecoming queens? Who were they? And how are they elected? If she’s an elected official, does that actually make her a “queen” is the purest sense of the word or is it more of a relic from a time when the homecoming queen was passed down through a family sent to us from God to rule over homecoming?

R. L. Stine doesn’t answer any of these questions, but he did answer the question, “Who killed the homecoming queen?” The answer will be revealed through the following twenty-nine paragraphs (not including excerpts) – one paragraph for each chapter in the book. Let’s get to it!

SPOILERS AFTER THE COVER!!!

FSWhoKilledtheHomecomingQueen
My copy of R. L. Stine’s “Who Killed the Homecoming Queen” – Eek! That’s your homecoming dress? Yellow? It’s horrible! Also, you’re dead, which puts a huge damper on the limo rental.

Eva Whelan loves pep rallies, something the two of us don’t share. Besides loving pep rallies, she loves her psychic powers, which are more like Peter Parker’s Spidey-senses without the reliability or plot relevance. She also loves her best friend’s stepbrother, Jeremy. Oh, and at the end of the first chapter, the aforementioned best friend, Tania Darman, is pushed down the stairs.

Another student named Leslie Gates accidentally bumped into her. Tania considers Leslie her “rival,” so Tania skeptical about the perceived accident. They are both vying for homecoming queen to Jason Thompson’s homecoming king. During the crowning ceremony, there is a gunshot.

It’s just a soda can. I wonder if I wouldn’t be so angry if I read this book during its publication year, 1997. A school shooting is a very real and traumatizing thing that happens seemingly every week, so using it as some bullshit cliffhanger for the end of chapter two is distasteful. This isn’t Stine’s fault, 1997 was a relatively innocent time, years before Columbine and Active Shooter Drills. Still, I still had a strong personal reaction to that fake out. Let’s get back to the book. Leslie makes a grand entrance. In the audience, Eva spots Jeremy talking to his friend Keith, who is an amateur filmmaker.

Keith shook his head. “Leslie is desperate to be an actress. She’s applying to every acting school in the country. If she’s in the video, then she’ll have something to show. I’d be doing her the favor.”

“Sounds like a good deal for both of you,” Jeremy commented. “Is Leslie any good?”

“Sure,” Keith replied with a shrug. “But I’d much rather have Tania – especially if she’s Homecoming Queen?”

“What does that have to do with anything?” Eva asked. “I mean, what’s your video about?”

Keith’s eyes glittered again. “It’s called Who Killed the Homecoming Queen?

That’s the name of the book! Tania wins homecoming queen and immediately passes out!

It’s just her low blood sugar. Gurl, lay off the insulin. Out of view of Tania but in front of Eva, Leslie expresses her anger at Tania’s constant winning and calls the new homecoming queen “The Golden Girl of Shadyside High.” The girl who is clearly our red herring sees something and gasps!

This time, there is something to actually gasp about. Leslie and Eva see Tania’s boyfriend, with the very ‘80’s name Sandy, making out with a girl, with another very ‘80’s name, Cherise. Because that’s what we need. More characters. Leslie says, “This will kill Tania.” and she runs away.

The next chapter starts with Eva watching a vicious argument between Tania and Sandy regarding his cheating. She breaks up with him and he does not take it well. He violently shakes Tania, and Eva panics.

It was just a part of Keith’s movie. Cool movie, Keith. This book has not aged well. High school domestic violence is no longer something hushed into shadows and used as a plot device in a pulp teen horror novel. It’s morphed into a pervasive problem that literally kills kids during History class. The domestic violence, even if it’s for a terrible movie, just made me feel gross.

Tania passes out from her blood sugar thing, again, and Eva agonizes over telling her best friend about her boyfriend’s cheating. That’s right – she still hasn’t told her best friend. Way to look out for your friend, Eva. Then someone yells they’re going to kill Tania.

It’s just Leslie, our brightest red, largest of large herrings. Our crimson whale.

Leslie bared her teeth in a vicious smile. “First you get to be Homecoming Queen. Now you steal the role in Keith’s video. You knew I was counting on that role for my college portfolio! I can’t believe you stole that from me, too!”

“But…”

“I could kill you, Tania!” Leslie clenched her fists. “I really could!”

“I have something to tell you, Tania.”

“You do?”

“After all, why shouldn’t I ruin your day, too?” Leslie said bitterly.

“Huh?” Tania frowned. “What do you mean?”

Eva’s heart sped up. Leslie is going to tell her about Sandy and Cherise, she realized. I can’t let Leslie do it! She’ll enjoy it too much. And Tania will be really embarrassed – in front of her biggest rival!

“What is it?” Tania asked Leslie.

“Not now!” Eva cried. “Leslie, come here.”

That’s why you should have told her already, Eva. She doesn’t even take that moment to tell Tania in private. She just pulls her away and we get a new scene. Eva gets a Coke with her crush and Tania’s brother, Jeremy. He expresses his desire to go to the mall and “check out the CD stores.” The fact that there’s more than one CD store, let along a CD store, in this mall that has not succumbed to online shopping and poor business decisions, is unintentionally funny. There’s a mention of Jeremy getting in trouble at his last school. This isn’t that important, but it sets up a second, lesser red herring. Like a marron minnow. Our maroon minnow sees Sandy and Cherise making out. Geez, Sandy and Cherise, get a room. Or at least come up for air. Or maybe don’t mack on each other at the most frequented locales of the Shadyside High student body.

Tania enters but somehow doesn’t see Sandy. The chapter switches to movie filming again, and, of course, they’re filming the domestic violence scene again. Keith is either getting off on this scene or he’s incredibly incompetent because this scene should be finished by now. This time, Keith yells, “Stop it!” as Sandy chokes Tania.

It’s his camcorder. They start rolling again. They stop after Tania is on the ground and not moving.

This time, it looks like she’s kind of dead. Sandy checks her pulse. When he can’t find it, Jeremy starts yelling and screaming. Then her body disappears.

The police arrive and are ineffectual, just like they always are in every teen horror from the ‘80s. Leslie is there but she books it after the police want to question her.

Chapter 14 is the obligatory scene in which everyone has a conversation about what happened. Sandy reveals his terrible sense of humor.

“It started out as a joke. Tania and I cooked it up,” Sandy explained. “The idea was, I’d strangle her for the movie. She’s pretend to be dead, and I’d go along with it. We just wanted to shake everyone up. For fun.”

“Huh?” Eva let out a shocked cry.

“You and Tania decided to lay game with my movie?” Keith cried.

“Yeah, for fun,” Sandy repeated.

Eva gaped at him. “That’s a terrible joke,” she declared. “How could you and Tania do something so awful?”

“Never mind that. Where is she?” Jeremy asked. “Where is Tania?”

“That’s the problem,” Sandy told him. “See after everybody got all crazy, Tania was supposed to jump up and yell ‘surprise!’”

“But she didn’t,” Eva reminded him.

Jeremy readies his choking hands and lunges at Sandy. Everyone gets a strangle!

The police separate them and conjecture that Tania just went home. Eva tries to call Tania’s home and just gets a busy signal – another relic of the ‘80s. Then she calls Keith to ask about the camcorder.

The camcorder “jammed” and didn’t record anything. Jeremy bursts in and says he heard Sandy and Cherise conspire to kill Tania. If this seems disjointed, I’m sorry, but that’s really how plot points progress in this book.

Eva encourages him not to call the police. I don’t understand that one. She goes to Cherise’s house and hears someone yelling, “I’ll kill you!”

Don’t worry, nothing interesting actually happened – it was just the television. Eva and Cherise chum it up, even though Cherise might have killed Eva’s best friend. Someone calls Cherise’s phone, asks for Eva, and tells her that she’s going to die next.

The next day at school, Leslie doesn’t even wait for Tania’s corpse to turn up before continuing her crimson whale activities. She’s been “bothering” Keith – she wants to be the new star in his movie. Remember, she really needs it for her college portfolio. You know, Harvard is always on the lookout for students who have been in high school horror films by students who can’t work a camcorder and takes months to film a terrible scene. Eva sees blood on Leslie’s sweater.
Yeah, she just cut herself on a mirror. However, something finally happens! Sandy tumbles out of a locker. He has been stabbed! And we finally have a body!

Chapter 21 is another gathering, this time at Eva’s house. We are reminded that “This is not a movie plot. This is real.” Thank you for your service, fourth wall, but it’s time for you to break. Eva gets a phone call. The person on the end is, like, yeah, Imma kill you next.

Keith chooses to do a documentary instead and interviews Eva. She leans up against a rail and it breaks.

Keith pulls her up and says the railing was sawed. So, someone, in the middle of the night, came onto the school grounds with a saw and went to town on a railing. Not conspicuous at all.

In the next chapter, Tania shows up not dead. Cool. And what is your reason for leading us and where have you been?

“When Jeremy told me about Sandy sneaking around with Cherise, I couldn’t believe it. Once I stopped crying, I got so angry. And that’s when I decided to get even.”

“Where were you all this time?” Eva asked Tania. “I mean, were you just hiding at home?”

Tania shook her head. “That’s what I was going to do. But Jeremy had a better idea. He cooked up the strangling part. But he didn’t know I was going to disappear. Anyway, I went to stay with my cousins in Waynesbridge. I told Mom and Dad not to worry, and they told the police I was perfectly okay.”

“So that’s why the cops stopped the investigation,” Keith said. “No wonder they thought the whole thing was a joke. It was.”

“It was a horrible, sick joke, Tania!” Eva declared angrily. “How could you do that to us? How could you put us through all that just because your boyfriend was cheating on you?”

“I couldn’t help it!” Tania cried. “I was so hurt and upset. And I wanted to hurt and upset everyone else, especially Sandy. I wanted you guys to feel like fools, just the way I did!”

Ugh, teenagers in horror novels and their elaborate pranks that involve death and dying. I was a teenager for about a decade and the pranks I was involved in, witnessed or was the victim of never involved dying and bodies disappearing and they certainly never ended with an actual death. What happened to Sandy?

Eva’s spidey-scene shows up and the gang runs to Cherise’s house, where they find her in a stare-off with Jeremy, whom she says killed Sandy. Jeremy says Cherise killed Sandy and that’s she’s crazy. There’s a bunch of that for a while.

And more of that in the next chapter.

And it’s finally concluded in the next chapter.

“Tania already told us that it was Jeremy’s idea for her to pretend to be dead,” Eva explained. “That was his plan for Tania to get revenge – by playing a cruel joke on us.”

“So?” Cherise asked.

“So Jeremy wouldn’t murder Sandy,” Eva went on. “He knew that Tania was already getting her revenge.”

“Oh, please – drop the innocent act!” Cherise tossed her head, glaring around the room. “I hate you all! You think you’re so smart! Hey, let’s keep a secret from poor, dumb Cherise. Won’t that be a kick? The way you were laughing at me behind my back. Don’t think I didn’t catch on!”

“Catch on to what?” Jeremy asked.

“Keith’s other video project – the candid video project, as if you didn’t know,” Cherise sneered.

“Huh?” Tania asked. “What video project?”

“You all know that Sandy pretended to like me – just for the candid video,” Cherise went on. “You all humiliated me, laughed at me – just for a stupid videotape!”

So there ya’ go. Keith and Sandy were making some other weird video where he pretended to like Cherise so she killed him. Then she lunges at Keith.

 

The last chapter is the police dragging Cherise away and Keith’s camcorder jamming.
That’s it. One paragraph (ish) for each of the 27 chapters of Who Killed the Homecoming Queen? By R. L. Stine. This one was fine – standard pulp fiction fare. The cliffhangers are still frustrating, the herrings are huge, and the scares really aren’t scary, but I didn’t hate my time with this book. It was fine. Now excuse me while I try to figure out what in the hell “homecoming” is.

Next Time On Rereading My Childhood – Fear Street Sagas #1: A New Fear

For a list of every Baby-Sitters Club, Goosebumps, and Fear Street book review I’ve done, go to RereadingMyChildhood.com or follow RereadMyChildhd on Twitter. For more information about me, Amy A. Cowan, visit my website AmyACowan.com or follow my Twitter: amyacowan.

Rereading My Childhood – Fear Street: Bad Dreams

I was apprehensive about doing Fear Street. I have fond memories of the series, and it was included in my attempt to buy back my childhood – scouring thrift stores for books. Long before I decided to write this essay series (“Rereading My Childhood” – in case you forgot), I read Fear Street: The Stepsister. I hated that book. When I say “hate,” I mean I wanted to throw that book into a fire. I loathed every character – the sister main character who is entirely too paranoid, the inconsiderate stepsister, the fake actual sister, the dismissive mother, and the worst character in teen genre fiction history – the misogynistic father who serves no purpose other than to say creepy comments to his step-daughter and harass the mother. He should have been the killer. He should have died. However, he was not. In fact, the “twist” wasn’t really a “twist” but something so obvious I called it on the third page, making it pointless and frustrating. After reading that book (and I won’t do a Rereading of it – the thought of spending my time writing about it makes me want to destroy my computer so I have an excuse not to do it), I wasn’t sure if I could read the rest of the Fear Street series. Are they unreadable to anyone over the age of thirteen?

I still read Bad Dreams and guess what?

I liked it! Like The Stepsister, this one also features a pair of sisters who don’t get along. Unlike The Stepsister, it doesn’t feature a gross stepfather and a dismissive mother. The mother in this book is a good character, and neither sister is outwardly evil. We see our protagonist’s flaws while speaking to her sister, and her sister exhibits some petty behavior. This one also has several twists, some better than others, but the biggest one is so insane I never saw it coming. It’s not a “deus ex machina,” so I wasn’t angry. Overall, this is a solid Fear Street book that centers on some great and flawed female characters.

SPOILERS AFTER THE COVER!!!

FSBadDreams
My Copy of Fear Street: Bad Dreams by R. L. Stine – First of all, one of these sisters is supposed to be homely, but I see two pretty girls. Secondly, what pair of teenage girls who hate each other have matching sleeping gowns? And lastly, what is up with their hands?

Fear Street: Bad Dreams starts with a prologue in which a nameless character is murdered by her sister in her gorgeous canopy bed. It’s a creepy scene. There’s something in the shadows of the room. It’s her sister! Her sister with a knife! Her sister kills her – like straight-up knifes her. R. L. Stine is not fucking around. At least, not at the beginning.

Now we’re in the first chapter. The chapters are similar to the ones in Goosebumps – short. It seems Stine’s affinity for short chapters didn’t end with Goosebumps. The short chapters are back and shorter than ever!

We meet the Travers sisters – Maggie and Andrea and they do not get along. Maggie believes that their mother holds Andrea to a lower standard than Maggie, despite their close ages, and Andrea is jealous of Maggie’s inherent advantages in the looks department. Maggie is described as an effervescent, red-haired gorgeous teen, while Andrea is listless and dull. However, Andrea is a snob and resents moving to a poorer neighborhood after their father died and their mother was unable to maintain their lifestyle.

They reach their new house on Fear Street and Maggie’s dog, Gus, runs out into traffic, and we have our first cliffhanger. The dog is fine, of course. Stine knows better than to kill off a dog at the beginning of the novel.

The family enters their new house, and in one of the rooms, the one designated to Maggie, is a gorgeous canopy bed.

“Say, Mags,” Andrea began. “Mags, you know how I’ve always wanted an old-fashioned bed like this one, right?” Andrea bit her lip.

Here came the question Maggie had silently predicted.

Sure enough, Andrea demanded, “Can I have it?”

Can I have it? – Andrea’s four favorite words.

Andrea stared at Maggie, pleading with her eyes. Maggie lowers hers to the bed.

What should I tell her? Maggie asked herself. What should I do?

Should I avoid a fight and give it to her?

What should I say?

If Maggie had known the horrors that awaited her in the old canopy bed, her answer might have been different.

But she had no way of knowing why the bed had been left behind.

Ooh, ominous, and a proper cliffhanger ending to a chapter. Mrs. Travers decides that since it came in Maggie’s room, and since Andrea choose the larger room, that Maggie should keep the bed. To which Andrea wails, “But that’s soooo unfair!” Mrs. Travers is completely fair, but I can imagine a girl who has been coddled her entire life thinking that she should get the canopy bed and the bigger room.

Maggie complains to her inconsequential boyfriend Justin about the house, saying it looks like The Addams Family house. (Don’t drag that house – it’s a museum. It says so in the theme song, and I would love to live in a museum.) I say “inconsequential” because he doesn’t do anything. He could be cut from the book and it would have no effect on the plot, and he’s the only dude. I wish Stine cut that sausage out so the book is a pure clambake, but we live in a world in which every story has to have at least one dude. At least he’s relegated to the “girlfriend” character like women in, oh, just about every movie ever. #progress #feminism

That night, Maggie has her first nightmare involving a blonde girl, and she wakes up screaming after a chapter break. Her mother suggests that she is overcome with stress, which is a reasonable reaction, no sarcasm at all. Stress does some crazy things to people, and nightmares are a common symptom.

The next morning, Justin comes over with sponges. How romantic. They make out, and we get a daytime scare.

When the kiss ended, they were both breathless.

Maggie’s heart was thudding in her chest. She gave Justin several quick kisses on the cheek.

Then she glanced past him to the bedroom doorway.

And she saw that they were not alone.

Someone stood in the shadows, staring at them.

The girl from the dream!

No, it’s just Andrea asking for a camera. Whomp-whomp trumpet noise. This makes Andrea seem like a voyeur, like she was going to say, “Don’t let me interrupt you – I like to watch.” That would be creepier than anything in this book.

Just two pages later, Justin can’t breathe! He’s in peril!

Oh, no. He’s just having a little goof at Maggie’s expense. End of Justin’s contribution to the book. Good riddance. Begone! Go back whence you came! A football or something.

Maggie and Andrea are on the swim team and are competing with two other girls, Dawn and Tiffany, for one of two spots on the 200IM. That’s a thing, right, Stine?

Maggie was breathing hard now, and every muscle ached.

But the thought of losing hurt a lot more.

She silently commanded herself: Faster! Faster!

She pushed harder, harder – as she came to the end of the breaststroke. But then she made a poor turn at the wall.

I’ve blown it! She thought.

She had never lost a really big race before.

Could she still win? It was now or never.

Freestyle was her strongest stroke. But she had only two laps to catch up.

She felt as if she was skimming over the water. The shrill cheers and screams in the gym reached an ever higher pitch. Nearing the far wall, Maggie passed Andrea – then Tiffany.

The passage wrapped me up in the excitement. This was actual suspense – not that boring white boy feigning peril. More like this, please.

Maggie comes in first, followed by Dawn and then Tiffany with Andrea bringing up the rear. After the race, Maggie sees Dawn floating facedown in the pool. Danger? No, of course not. She’s just practicing breathing control. Then the girls laugh until the end of the chapter, where Maggie has another nightmare.

Andrea wakes her up and Maggie blames the bed for her nightmares.

Andrea stood up. She ran her finger down one of the bedposts. “See? I told you-you should’ve let me have this bed. It’s bad luck. And it’s giving you nightmares.”

Maggie stared at her as if she hadn’t heard. “The bed . . .” she said. That was it! She reached out and grabbed her sister’s hand. “Andrea, you’re right! The girl in the dream, the girl in trouble? She was sleeping in this bed!”

“That’s spooky,” Andrea admitted. “And she got . . .”

She let the question trail off. Maggie finished it for her. “Stabbed,” she murmured softly. “With a knife. Over and over. Don’t you see? I knew it was too good to be true,” Maggie moaned unhappily.

“What was?”

“The owners just leaving this beautiful bed behind. There had to be something wrong with it.”

Andrea insists the stress is getting to Maggie. Hey, Maggie? There’s a simple way to prove the bed is causing nightmares: give the bed to Andrea and see if she gets the same dreams. This isn’t complicated. Yeah, maybe your sister gets a neat canopy bed, but she might also get nightmares where nothing happens. You pass on the nightmares or you realize it’s stress and can deal with it – either way no more nightmares.

Maggie doesn’t do that. Instead, she implies that Andrea wants Maggie to be less stressed so Andrea can swim in the 200IM. They fight after Maggie’s shitty inference. Up until this exchange, Maggie has been tolerant of Andrea’s pettiness, but in this chapter, we get to see that Maggie isn’t completely innocent. Andrea was showing genuine interest in Maggie’s well-being, but Maggie had to throw in some backhanded comment. Andrea can act immature, but Maggie doesn’t act like an adult either.

The next day, Dawn falls down some stairs and breaks her arm. She thinks Maggie pushed her like Nomi in Showgirls. Maggie goes home and falls asleep on the couch. Then she goes outside and falls asleep there. She wakes up and some weird old man is staring at her.

His name is Milton Avery, and in true deus ex machina form, he and his wife tell them about the murder that happened in the house.

Mr. Avery continued. “There was a girl about your age – named Miranda. Pretty girl with blond hair.”

Miranda!

Maggie knew instantly that Miranda had to be the blond girl in her dream!

“Did Miranda live in my house?” Maggie asked eagerly.

“She and her family lived in your house, yes,” answered Mr. Avery.

“Milton, that’s enough,” Mrs. Avery spoke up.

“No, please tell me,” Maggie pleaded.

“She was killed,” the old woman blurted out. “Murdered.”

“She was stabbed,” Mr. Avery said in a hushed whisper. “Stabbed right in her own bed.”

Yeah, that was pretty obvious from the prologue, but thanks, Old Man Avery, for peeping at seventeen-year-olds, I guess. He’s probably banned from the local mall.

Maggie dreams more and mistakes common household items (a curling iron) for various murdering paraphernalia (a knife). Her mother sends her to a therapist after Maggie yells, “I’ll never calm down!” That’s a totally normal thing to say there, Mags. That’ll work.

During swim practice, Tiffany wins the 200IM. Coach pulls Maggie aside and encourages her to work things out internally, within herself, and externally, with her sister. Maggie leaves Coach’s office and finds Tiffany covered in blood. Tiffany was stabbed! But she doesn’t die so that makes the current death count for this book just one unfortunate sister during the prologue. I understand not killing off Dawn – it’s an early incident in the book and Dawn is Maggie’s best friend. Tiffany, however, is a completely expendable character who we never see again.

The novel culminates in an attic showdown, but it starts during a barbeque with the teen peepers.

I’m tired enough to go to sleep right now, Maggie decided.

I have to get to the end of the dream. I have to put this nightmare behind me.

“I’m going to get some more soda,” she lied, getting up from the table.

Everyone was staring at her. Her mom started to her feet with a worried look.

“I’m just going to the refrigerator, Mom,” Maggie said. “Chill out.”

She smiled at everyone, but she smiled too hard – which only made her feel like a lunatic.

I can imagine this unhinged, wide smiling. It’s unnerving. Maggie goes upstairs to sleep (how she planned to deal with her mother when she didn’t come back after getting a soda, I have no idea), but the canopy bed is, just like, gone. That night, Maggie finds the bed in the attic with a person asleep in the bed.

“But who are you?” Maggie demanded.

“Gena,” the girl replied. “Wasn’t I in the dream?”

“I-I don’t know,” Maggie told her. She edged toward the attic stairs.

“I’m Miranda’s sister,” the girl said angrily. “Why wasn’t I in the dream?”

After Gena murdered her sister Miranda, she lived in the attic! This bitch lived in the attic Hugo from The Simpsons style, listening to everything happening in the house. She was appearing in corners. She was stealing knives. She pushed Dawn down the stairs. She stabbed Tiffany. Why?

“But I’m going it for you, Andrea,” Gena replied, sounding hurt. “She’s mean to you. She’s mean – like Miranda.”

“For me?” Andrea cried. “What did you do for me?”

“I did everything for you,” Gena replied softly.

“I did everything for you, Andrea,” Gena continued, ignoring Maggie’s terrified cries. “I hurt those two girls for you. So you could be on the swim team.”

“You what?” Andrea shrieked.

‘Oh, no,” Maggie gasped. “She’s the one who hurt Dawn and Tiffany. I don’t believe it.”

“And I pushed the knife into your sister’s pillow, Andrea,” Gena confessed proudly. “You know. To give her a little scare. To get her ready for tonight.”

“But I don’t want you to kill her!” Andrea wailed. “Who are you? What is going on? How did you get into our house?”

“Shut up, Andrea,” Gena said softly.

She lowered her gaze to Maggie. “It’s time for mean sisters to die.”

Andrea is forced to save her sister and together they defeat Gena, tying her up and, I’m assuming, handing her over to the local law enforcement. (Does Shadybrook have a police force? They must be busy with all the disproportionate murdering and attempted murdering.) Miranda and Gena are a reflection of Andrea and Maggie. By actually confronting what their relationship could be, they are able to overcome their issues and become better sisters.

Admittedly, the twist came out of nowhere. I conjecture that the prologue was added later, but the addition rendered the teen-peepers-exposition-Averys useless.

The Averys could be cut. The boyfriend is extraneous. Tiffany should have been killed to show how close the danger is to Maggie. Despite this, I still had a great time reading it. I think my opinion is a bit skewed. The last Fear Street I read (The Stepsister) made me livid. Frankly, I was happy with the flawed female characters, and I was even happier there wasn’t a terrible, misogynistic, creepy male character. I was happy with the twist that came out of nowhere, but at least I didn’t predict it on page three. If the rest of the Fear Street books are at least as good as Bad Dreams, we’re in for a glowing series of reviews. I don’t think that will happen, but at least I’m committed, and if I hate the book, you’ll read all about it.

We’re going back to Stoneybrook next week, but the next book in the series isn’t a normal one. I’m reading The Baby-Sitters Club Notebook next time, and that should be a quick one!

Next Time On Rereading My Childhood – Fear Street: Who Killed the Homecoming Queen?

For a list of every Baby-Sitters Club, Goosebumps, and Fear Street book review I’ve done, go to RereadingMyChildhood.com or follow RereadMyChildhd on Twitter. For more information about me, Amy A. Cowan, visit my website AmyACowan.com or follow my Twitter: amyacowan.

Rereading My Childhood – Goosebumps: Monster Blood

Most of my teachers had some kind of twenty minute quiet time after lunchtime recess. At around 11:30, my entire class and I piled into the hallway and stood in line (if you wanted hot lunch). We paid the lunch lady our $0.75 each at the front or used one of those punch cards the kids with pre-paid lunch had. We grabbed our food, sat down, and ate as fast as we could so we could get outside and run around like little idiots as quickly as possible. After a full thirty minutes of mindless laughing and cavorting with our fellow classmates, the bell rang and forced us back into the green walls of the school, away from the sun and into tedium. Then our teacher made us read. At least we got to choose the book.

“Read one chapter of a book,” she demanded.

We had a book. We had a popular book. It wasn’t cool to read unless you read R. L. Stine’s Goosebumps.

“Read one chapter of a book.”

I see why these books were popular – there are 128 pages in Monster Blood and 29 chapters. That’s an average of four pages a chapter.

“Read one chapter of a book.”

That was easy and only took a minute.

Of course, I wasn’t that child. I had cold lunch, so I had to sit by myself on the other side of the cafeteria. The school separated “hot lunch” students (those who paid money) and “cold lunch” student (those who brought their lunch from home). All my friends brought money to school (eventually, I started asking my mother for money just so I could sit with my friends), and we had to sit in specific seats that a fifth grader designated for us (it wasn’t a bully situation – the school lunch ladies bestowed onto them that power). I enjoyed the thirty-minute recess because I could read whatever I wanted, instead of what my teacher wanted me to read. When the bell rang, it was more of a relief for me. It was time to get up from the ground, brush off the dirt, and read inside – a minor location change. I didn’t mind a long chapter and I never stopped reading after only one chapter. I read until I was the last one still reading and my teacher had to ask me to come back to the boring real world.

I don’t remember the small chapters of Goosebumps, but I remember the cliffhangers. For a while, I was convinced that every horror book had to have a cliffhanger at the end of each chapter and each book. Some writers haven’t grown out of this, as evidenced by adult novels with knives and guns and scantily clad women victims on the covers. R. L. Stine’s cliffhangers are on full display in Monster Blood. There are some good ones with genuine danger – mostly at the end of the book. However, the most prevalent ones are the frustrating ones where it turns out to be a someone making a sandwich (really) or a dream sequence. I wasn’t sure if I wasn’t going to like this one until I reached the end. Everything goes bonkers. The cliffhangers involve actual danger, and the short chapters are a minor inconvenience, rather than a jarring interruption.

SPOILERS AFTER THE COVER!!!

GB: Monster Blood
My copy of Goosebumps: Monster Blood by R. L. Stine Okay, a couple problems. 1. It’s not a monster blood drive, it’s more like a monster canister. No monsters are giving blood, and there isn’t a monster disaster and they need blood. And 2. It’s more like a ball or Flubber than a runny substance.

We start with Evan Ross and his dismissive mother. Mrs. Ross is dropping off her son at his Great Aunt Kathryn’s spooky house. Aunt Kathryn is a deaf septuagenarian who raised Evan’s father. Evan doesn’t want to stay with her because he thinks she’s “weird.” That’s no reason to not want to stay with someone, but I guess Evan’s apprehension is not unfounded – she does pose a danger to our young protagonist. What this book says about weird people is not particularly hopeful, especially for weirdos like me. (I didn’t call myself a weirdo. I accepted my weirdness. I was proclaimed a weirdo when I wanted to read instead of play tag and enjoyed the quiet time after lunch recess.)

At the end of the first chapter, a mere seven pages later, we have our first cliffhanger:

And as she said this, facing Evan with her back to the house, the front door was pulled open, and Aunt Kathryn, a large woman with starling black hair, filled the doorway.

Staring past his mother, Evan saw the knife in Kathryn’s hand. And he saw that the blade of the knife was dripping with blood.

End of chapter one. Even a child wouldn’t be fooled by this obvious cliffhanger. Stine is not going to kill off the protagonist and his mother in a brutal stabbing at the beginning of page eight. Although, if that did happen, it would be surprising.

“I was slicing beef,” she said in a surprisingly deep voice, waving the blood-stained kitchen knife.

I’m reminded of a slasher flick from the early aughts whose name escapes me in which a yellow-haired lady was spooked by a coat rack. She literally bumps into a coat rack and screams. I don’t remember anything else about the movie, but I remember that coat rack. I think I audibly cried, “Oh, come on!” when it happened. I felt the same way at the end of these fake-outs. As bad as the beef slicing is, there is another one later that made me want to put down the book and go back to the Baby-Sitters Club, where Martin doesn’t try to fake me.

I don’t see as many fake-out scares in horror movies anymore. The fear comes from an actual threat. I just want to take a moment and tell modern horror movies that don’t do bullshit scares that I appreciate their efforts.

While Mrs. Ross speaks with Aunt Kathryn, the old woman grabs Evan’s arm and jerks it around. Evan complains that she hurt him and Mrs. Ross completely dismisses her son’s concerns. I get that Evan is a whiny kid, but if he thinks the woman was rough with him, she should listen to him and admonish Aunt Kathryn. If Aunt Kathryn is worth anything, she’d apologize and promise to try to be softer with her nephew.

Mrs. Ross doesn’t do anything. She’s a terrible mother. There. I said it. She drops her kid off with this woman she barely knows so she and Mr. Ross can look for a house. I think Evan should have some say in the house they choose – after all, Evan is going to live in it also. Of course, if she were a better mother, we wouldn’t have this book.

She leaves and Evan explores his temporary living quarters. He finds a library of science books and assumes Aunt Kathryn was once married (hey, Evan, women can like science, too, buddy). Then a demon attacks him at the end of the chapter. No. Not a demon. No actual danger. It’s a cat – Aunt Kathryn’s cat named Sarabeth. At first, I read that as “Scarabeth.” I wish it was “Scarabeth.”

Evan takes his dog (Trigger) out for a walk and a hand touches his shoulder. End of chapter. The hand belongs to a neighborhood girl named Andrea, but she hates that name and prefers “Andy.” I liked that she went by Andy and liked to joke around. Evan quickly sexualizes her and describes her clothing every time he sees her, but as a character, I found her bravery and sense for adventure interesting.  This stark difference between the two made me wish the book was about her instead of Evan. Intrepid Andy and her new-kid-in-town sidekick Evan.

Andy takes Evan to a toy store run by a misanthrope who seems to especially hate children. Hey, guy, if you hate children, don’t open a toy store. When a child expresses interest in something, he won’t sell it to them. Evan finds a container with the words “Monster Blood” on it. He is willing to buy it, but the owner says it’s “not good” and won’t sell it to the boy. If he knew there was something cursed with the monster blood, that would make sense. It would force Evan into theft or some other plot point. However, the owner acquiesces and sells the container to him without much coaxing. I don’t know why the man didn’t just sell it to the kid. I don’t know why R. L. Stine spent some much time with this man. The store closes later in the book and we never see this guy again. It’s no surprise to me why the store shut down.

Evan takes the monster blood and Andy to Aunt Kathryn’s house. He shows his old Aunt the container. She rolls it around and gives it back to him without any troubles. They pop it open and it falls out like Flubber. It bounces around and they take it outside to play with it some in a charming scene that ends with Trigger swallowing a large chunk of it. They wonder if it’s poison.

The next chapter starts three days later, so I guess Trigger is okay and the monster blood isn’t poison. Evan brushes his hair and thinks obsessively about a phone call he received from his parents sometime between when Trigger swallowed monster blood at the end of chapter eight and nine. I honestly thought his parents weren’t going to return and used “house hunting” as a ruse to lose the kid and start new lives in Europe as jewel thieves.

Later, Evan meets the neighborhood bullies – two hulking twins named Rick and Tony. Andy intervenes before the twins can attack Evan, but they steal her bike. They go back to his house and find Trigger suffocating. He rips off the dog’s collar and the kids notice that Trigger has doubled in size.

Chapter thirteen starts with Trigger running after Rick and Tony as Evan tries to catch up with his dog.

Suddenly, as Evan watched in horror, the dog raised up on his hind legs. He tilted his head to the sky and let out an ear-piercing howl. Not the howl of a dog. A creature howl.

And then Trigger’s features began to transform. His forehead burst forward and enlarged. His eyes grew wide and round before sinking under the protruding forehead. Fangs slid from his gaping mouth, and the uttered another howl to the sky, louder and more chilling than the first.

“He’s a monster! A monster!” Evan cried.

Oh, boy, this is getting good!

And woke up.

Fuck you.

A harmless dream. Except that something still wasn’t right.

The bed. It felt so uncomfortable. So cramped.

Evan sat up, alert, wide awake now.

And stared down at his giant feet. HIs giant hands. And realized how tiny the bed seemed beneath him.

Because he was a giant now.

That makes sense. The monster blood made Trigger larger, so, logically, it would make him bigger. I see wacky giant-child shenanigan afoot.

Because he had grown so huge, so monstrously huge.

And when he saw how big he had become, he opened his mouth wide and began to scream.

Oh man! A cliffhanger! Is Evan now going to wreak havoc on his crazy aunt? Will he get revenge on the bullies? I can’t wait for the next chapter.

His screams woke him up.

This time he really woke up.

Oh, fuck off! Slams book down. Walks out the door. Leaves her life free from dream sequences. Starts a new life book-free in the mountains of Oregon. Is a lumberjack now.

I was livid. Something interesting was finally happening and I was interested to see how Evan deals with his new demon dog. It was all a dream. Fine, whatever. Then I wanted to see how Evan acclimatizes to his new size in what would be a wonderful, yet obvious, allegory for puberty. Maybe he could overcome the neighborhood bullies and stand up to his mother (“how could you leave me with a crazy woman and not ask for my input regarding a house – I live there, too!”) – it’s all part of growing up.

No. I get a dream fake out.

I wanted to give up. I wanted to put the book down and give my review without having read the rest of the book. But I kept going. I kept reading. I recently read the first Goosebumps book Welcome to Dead House (long before I decided to write these, I’ll get around to it). I loved Welcome to Dead House. It was the kind of spooky book that got me into horror as a child. I had to give him a second chance. And, well…

The ending is okay. It’s an improvement over the dream fake outs, but my expectations were pretty low. Let’s get to the ending, but first, we have some quick events to get through.

Evan and Andy take Trigger to the veterinarian. I don’t know who paid for the visit. I can’t imagine the kids footing the bill and there wasn’t a scene where they abscond with the dog – like a vet visit and dash. Aunt Kathryn has nothing but disdain for Trigger, so she’s not paying. The vet says that Trigger is healthy, but he is a little large for the breed. Nothing to worry about.

The monster blood gets bigger and spills out of its container. The twins actually beat up Evan. Andy helps with Evan’s injuries. They knock over the monster blood. Andy goes home. Evan stumbles around the garage. He falls into a bathtub filled with the monster blood. Andy shows up. They haul the monster blood in a garbage bag back to the toy shop. The toy shop is shut down. They drag the monster blood back. Trigger is the size of a pony.

Got it? Now we’re at the end.

The monster blood spills out of the garbage bag and turns into a huge ball. It starts to move like it has a mind of its own and consumes everything it touches. As it bounces around, it swallows the bully twins, and corners Aunt Kathryn. We are treated to this twist:

Andy’s hands tugged at the sides of her hair, her eyes wide with growing fear as the seething green blog made its way steadily closer to Evan’s aunt.

“Get out!” Kathryn repeated shrilly. “Save your lives! I made this thing! Now I must die for it!”

What a twist! Although, if she made it, why didn’t she stop Evan when she rolled the monster blood container in her hands? Evan believes that’s when she cast a spell on the monster blood, but Aunt Kathryn points at Andy and says that the young girl made her do it. End of chapter.

She wasn’t pointing at Andy, but Sarabeth, the cat. Then something batshit happens.

All eyes were on the cat as it rose up, stretched, and grew. And as it grew, it changed its shape.

Became human.

With shadowy arms and legs in the eerie darkness.

And then the shadow stepped away from the darkness.

And Sarabeth was now a young woman with fiery red hair and pale skin and yellow eyes, the same yellow cat eyes that had haunted Evan since he’d arrived. The young woman was dressed in a swirling black gown down to her ankles.

She stood in the doorway, staring accusingly at Kathryn.

“You see? She’s the one,” Kathryn said, quietly now. And the next words were intended only for Sarabeth: “Your spell over me is broken. I will do no more work for you.”

The fucking cat had control of Aunt Kathryn and was trying to kill Evan with her spell on the monster blood. Sarabeth orders the blob to kill the children, but the large and in charge Trigger pushes Sarabeth into the blob. It shrinks, throwing up the twins and the robin it swallowed.

The mother returns. I thought she was going to leave him there. Frankly, with how dismissive she is, Evan might be better off with his new and improved Aunt Kathryn. Then we are treated to this after Evan and Andy vow to keep in touch:

“Could I ask one small favor?” Andy asked.

“Yeah. Sure,” Evan replied, curious.

“Well, it’s going to sound strange,” Andy said reluctantly. “But can I . . . uh . . . can I have the little bit of Monster Blood that’s left? You know. Sort of as a memento or something?”

“Sure. Okay with me,” Evan said.

They both turned their eyes to where it had come to rest on the carpet.

“Hey-” Andy cried in surprise.

It was gone.

There are three more Monster Blood books in the Goosebumps series.

Most of the end of chapter cliffhangers are ridiculous. I understand making smaller chapters to accommodate a child’s attention span, but Stine does this in Fear Street also. I haven’t read his venture into adult novels, but I can’t imagine he’d stray from his unnecessary cliffhangers. Just make longer chapters, dude.

Despite the frustrating cliffhangers, I’m happy I finished the novel. Even though the ending comes out of nowhere, I enjoyed the fast pace and crazy twists. This isn’t as good as Welcome to Dead House, the first in the Goosebumps series. (Again, I promise I’ll get around to that one, which will be a glowing review.) I’m still looking forward to reading all the Goosebumps books, even if some of them aren’t the caliber of children’s literature that I remember.

And speaking of Fear Street, next time will be my first review of my favorite post-Goosebumps horror series. I’m reading Fear Street: Bad Dreams by R. L. Stine.

Next Time On: Rereading My Childhood – Goosebumps: The Curse of the Mummy’s Tomb

For a list of every Baby-Sitters Club, Goosebumps, and Fear Street book review I’ve done, go to RereadingMyChildhood.com or follow RereadMyChildhd on Twitter. For more information about me, Amy A. Cowan, visit my website AmyACowan.com or follow my Twitter: amyacowan.